Filmmaking & Copyright Law
About: Produced as part of the UK Intellectual Property Office’s Audiovisual Voices project, this three-part series was designed to help filmmakers of all kinds understand when and how they can use rights-protected works in their productions.
*Project awaiting public release. Check back soon for the complete videos.
Role: Script, Designer, Animator
Overview: Throughout the process our primary focus was on showing copyright law as a toolkit, not a barrier; something that broadens creative options rather than shutting them down. The challenge here was twofold: accuracy and engagement. Copyright law can feel complex and overwhelming, so the scripts had to be clear and accessible without glossing over important legal nuance. These then needed to be brought to life with visuals strong enough to keep audiences invested.
Because copyright is so expansive, we looked for an elegant way to structure the guide. Breaking it into three distinct parts, or “acts,” each tied to a stage of the filmmaking process — pre-production, production, and post-production — meant ideas, footage, audio and other components could be introduced at the moments most relevant to them.
To support our aim of clarity from complexity, and to mirror the series’ theme of re-use, I built the visual language around transformation: simple icons that shift and recombine as the rules unfold. Ideas sprout as if from seeds; licences and permissions appear as dials and gauges; the public domain comes alive through familiar cultural images re-entering circulation, such as Disney’s Steamboat Willie. Each transformation carried the viewer forward: ideas to expression, permission to exception, creation to credit.